Farewell To The Senate
Farewell To The Senate
Don Thompson at the
Senate Theatre, Detroit


Available on CD
CD $17

Quantity:  


UK Customers Only (PPD): CD 12 GBP

Quantity:  


To hear samples of the tracks on this cd, click on the track names below.
(The player will continue to play each sample in sequence after your selection - click the pause or close button on the player to stop it)

01 Calling All Workers
02 Morning Song
03 The Silken Ladder
04 Ebb Tide
05 The Prince of Denmark's March
06 Satie's Gymnopedies 1 & 3
07 If
08 Faure's Pavane
09 My Old Flame
10 Hot Dog
11 When Your Lover Has Gone
12 Granada
13 Clair de Lune
14 Black and Blue
15 Air on the G String
16 Debussy's Arabesque # 1
17 I Get A Kick out of You
18 Dill Pickles
19 Suppe Medley


THE SENATE THEATRE, DETROIT
On November 11, 1928, a Wurlitzer theater pipe organ, Opus #1953, was premiered before a packed house by famed organist Arthur Gutow at the Fisher Theater in Detroit. The organ was a four manual special 34 rank instrument and was the eighth largest organ that Wurlitzer ever built. The Fisher brothers enjoyed light classical music and found pleasure occasionally playing the organ in their church.

Therefore this theater organ was a mix of theater and classical specifications so that the brothers could find it easy to play should they desire. The opening night program stated, “The organ installed in the Fisher Theater marks the first serious attempt to incorporate in one instrument, under control of one console, the varied tonal elements necessary for both cinema and concert work.”

The stop rail layout was like no other, with the stop tablets arranged by chamber rather than by voice, thus making it very difficult to play by visiting organists without extensive rehearsal.

The organ was originally installed in four chambers at the Fisher Theater. In its Senate location at the time of this recording, it was installed in six chambers. On all his concert appearances for the Detroit Theatre Organ Club at The Senate, Don Thompson found the organ to be invariably in immaculate condition. The DTOC is now known as the Detroit Theater Organ Society.

At the time of this release the Senate Theater has been sold and the organ is being removed to storage pending its installation in a new venue. Though the Senate Theatre may have closed, the DTOS continues to present organ concerts at other venues.

ABOUT THE ORGANIST
Don Thompson was born in England and became very well known there as an organist in the 1950s and 1960s. He arrived in the US in 1968 and played many concerts in the Los Angeles area, including at the famous Wiltern and Old Town Music Hall theaters. In 1969 he embarked on his first concert tour of the US and toured on a yearly basis until 2008. He also made seven concert tours of Australia and New Zealand and returned to Britain, Holland and Germany for concerts, beginning in 1974.

He appeared at the Senate Theater in concert several times and this recording is taken from some of those concerts. The DTOC audience was exceptional and respectful of the performer; there is very little audience noise on this recording, just the occasional quiet cough.

ABOUT THE MUSIC
Many pieces on the CD  have probably never previously been recorded on theater organ. “Calling All Workers” is a march by the famous Eric Coates, composer of the London Suite with its well-known Knightsbridge March. This was used by the BBC as the theme song for the daily radio program “Music While You Work” to increase productivity in wartime. “The Silken Ladder’ (La Scala di Seta) is a comic overture from a comic opera and it features several false starts and re-iterations as if the conductor is taking the musicians back a few bars and there is some simulated laughter written as well. This is a digitally demanding piece.

Classical and romantic composers’ works are also featured and quite possibly this is the only theater organ recording of some of them, though the Bach, Debussy and Jeremiah Clark may have possibly appeared on others’ CDs. “Hot Dog” is a re-creation of Sidney Torch’s famous recording. The medley of Franz von Suppe overtures was introduced in the concert recorded here as “A Bowl of Suppé but when played in Toronto is was called “A Bowl of Soup – eh?”

Tracks 4, 6, 7, 8, 9, 11, 13, 15 and 16 were included since almost all are items that are far from the usual theatre organ repertoire. However, they were sourced from a 1980 recording that though described as stereo was in fact mono. They have been digitally enhanced to provide a stereo effect. We hope that the listener will find these tracks as enjoyable as the ones recorded in full stereo.